Impure Cinema: Intermedial and Intercultural Approaches to Film

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Professor Lucia Nagib - Department of Film, Theatre & Television - University of Reading

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Impure cinema: intermedial and intercultural approaches to film

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Language and Intercultural Understanding

Like this: Like Loading Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:. Email required Address never made public. Name required. An important source of inspiration to Sophia herself, the luminous region where Monteiro would shoot Hovering Over the Water is one of the essential matters of the film. The sea is its dominant element. Sophia de Mello Breyner Andresen ends with the poet writing her name in a sheet that fades to white under the sound of the waves. Of his own films, Sophia de Mello Breyner Andresen was probably the one more openly discussed by Monteiro.

In a self-interview he wrote:. What is filmable is always something else that may or may not have a poetic quality.